The conic-family generator
Circle, ellipse, parabola and hyperbola, all sharing a focus and a closest approach. The eccentricity alone decides which one a body is on, and whether it returns.
5 essays call
conic-family. The drawing above is what it returns with no arguments at all; every
call below passes it something, because a placement that passes nothing draws whichever member
of the family the generator happens to default to rather than the one its essay argues about.
Where it is called
Every figure listed here is the same construction drawn at different numbers, so a correction to one is a correction to all of them.
The orbit is an ellipse, and the Sun is not in the middle of it
Kepler's first law is usually drawn wrong. The interesting content is not the ellipse — it is the focus, and the fact that one of the two is empty.
Every orbit one force allows, and the number that picks between them
Circle, ellipse, parabola, hyperbola. A single inverse-square force permits exactly these four, and one number decides which — including whether the body ever comes back.
Stealing speed from a planet, which does not notice
A flyby cannot change a spacecraft's speed relative to the planet. It changes its direction — and adding the planet's own motion back turns that into free velocity.
A fall is half an orbit with no width
Stop a planet dead and it falls into the Sun, in a time that is not a quarter of its year or a half but exactly one over four times the square root of two. The fall is an ellipse squeezed to a line, it spends four-fifths of its duration in the outer half of its path, and in a uniform cloud every shell of it arrives at the centre at the same moment — which is where the free-fall time of star formation comes from.
An orbit seen at an angle keeps everything but its focus
No orbit outside the solar system is seen face on. It is seen as a shadow on the sky, and the shadow of an ellipse is an ellipse, swept at equal areas in equal times, indistinguishable in shape and timing from a real orbit. Only one thing gives the tilt away. The star the companion circles projects to where the true focus projects, and that is not where the apparent ellipse has its focus.