The uv-synthesis generator
Every point in this plane is a spatial frequency the array has measured, in thousands of wavelengths. The 9 antennas make 36 pairs, each pair measures one point at any instant, and turning the Earth sweeps each of them along an ellipse — so eight hours of tracking turns 36 measurements into the arcs drawn here. Two properties are structural rather than chosen. The plane is *Hermitian*: a real sky forces V(−u,−v) = V*(u,v), so half the points are free and the coverage is symmetric through the origin. And every ellipse has axis ratio exactly *sin δ = 0.707* at this declination, measured off the longest track as 0.707 — an array is squashed in one direction by where the source is in the sky, and at the equator the tracks collapse to lines whatever the array. What the figure cannot show is the hole in the middle: no baseline is shorter than an antenna is wide, so the largest structures on the sky are simply not measured, and no processing recovers them.
2 essays call
uv-synthesis. The drawing above is what it returns with no arguments at all; every
call below passes it something, because a placement that passes nothing draws whichever member
of the family the generator happens to default to rather than the one its essay argues about.
Where it is called
Every figure listed here is the same construction drawn at different numbers, so a correction to one is a correction to all of them.
Resolution without a mirror
Two telescopes a kilometre apart do not make a kilometre-wide telescope. They measure one number — the Fourier component of the sky at the spatial frequency their separation sets — and an image is what you get by collecting enough of those.
A phase that survives what corrupts it
An atmosphere over each antenna adds an unknown to the phase of every baseline that antenna takes part in. Sum the phases round a triangle and every one of those unknowns cancels identically — which is the reason an image can be made across ten thousand kilometres, and the reason it has no position on the sky.