Astronomy & Celestial Mechanics
the sky, computed
Series

Magnitudes — the series

3 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. The magnitude scale, plotted. The logarithm of the received light against magnitude from -27 to 32, with the vertical scale left unlabelled because only its slope matters. The relation is a straight line of slope −0.4, which is what makes five magnitudes exactly a hundredfold — and the numbers run backwards, so brighter is smaller. 9 landmarks are marked, from the Sun to the deepest exposures, spanning a factor of 1.2·10²³ in received light.

    A scale that runs backwards, multiplies, and works

    Brighter stars have smaller magnitudes, and five steps is a factor of a hundred. A scale invented by eye in the second century BC turned out to be logarithmic, because eyes are.

    part 1 · starlight
  2. The distance modulus. The difference between apparent and absolute magnitude against distance, on a logarithmic distance axis. It is a straight line of slope five per decade, passing through zero at ten parsecs — the definition of the absolute magnitude. Reading a distance off it requires the absolute magnitude, which is never measured and always inferred.

    A brightness is a distance only if something is known

    The inverse square law turns a brightness into a distance in one line. The line contains a quantity that has never been measured for any object outside the solar system.

    part 2 · starlight
  3. Four spectra, and 3.9 magnitudes between them at the same redshift. The K-correction — the magnitude that has to be added to compare a redshifted object with a nearby one through the same filter — against redshift, for four power-law spectra. At zero redshift every correction is zero by construction. Beyond that they diverge, because a filter at a fixed observed wavelength samples a different part of the source's own spectrum at every redshift, and how much flux is there depends on the spectrum. A flat spectrum needs no correction at all at any redshift, and the two extremes drawn differ by 3.9 magnitudes by z = 1.2. The circularity is the point: applying the correction requires the spectrum, and the spectrum is what a magnitude is being used to constrain. The dashed line is the way out — observe in a band chosen so that it lands on the rest-frame band of interest, and the spectral term cancels, leaving only the bandwidth stretch.

    A magnitude in a band the source never had

    A filter passes light at a fixed observed wavelength, and a redshifted source emitted that light at a shorter one. Comparing a distant galaxy with a nearby one through the same filter therefore compares two different parts of two spectra — and the correction between them needs the spectrum, which is what the magnitude was going to be used to find out.

    part 3 · starlight

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