Astronomy & Celestial Mechanics
the sky, computed
Concept

Systematic floor — where it appears

The level of error that averaging over more measurements cannot reduce, because it is common to the whole sample. It is what limits the dark-energy equation of state, and reaching it is the point at which collecting more objects stops helping.

Named by 3 essays across 2 fields — each of them below, with the objects they name alongside it.

What the error bar is made of, on a 1 m in 60 s. The four contributions to a photometric error, against the brightness of the star, for a 1-metre aperture, a 60-second exposure and a sky of 21 magnitudes per square arcsecond. The star's own photons give a line of slope exactly 0.2 — σ ∝ N^−1/2 and N ∝ 10^−0.4m, so a magnitude of extra faintness costs a fifth of a magnitude of precision, and no instrument changes that. The sky and the read noise are fixed counts, so their lines have slope 0.4, twice as steep, and they overtake the star at V = 18.25 — that crossing is the faint limit of the night, and it moves when the Moon rises rather than when the telescope changes. Scintillation is flat, because the atmosphere modulates a bright star and a faint one by the same fraction: at 4.09e-4 relative it is 0.44 millimagnitudes here and it is what caps the bright end, up to about V = 10.8. Below all of them is the systematic floor at 0.3 millimagnitudes, which is flat-fielding and colour terms and does not integrate down at all.

The error bar that comes from counting

A brightness is a number of photons, so the precision of the measurement is fixed before any instrument is chosen. What follows is a slope of exactly 0.2 magnitudes of error per magnitude of star, a slope of 0.4 once the sky wins, and a floor that neither of them explains.

starlight · Photon noise What the error bar is made of, on a 1 m in 60 s. The four contributions to a photometric error, against the brightness of the star, for a 1-metre aperture, a 60-second exposure and a sky of 21 magnitudes per square arcsecond. The star's own photons give a line of slope exactly 0.2 — σ ∝ N^−1/2 and N ∝ 10^−0.4m, so a magnitude of extra faintness costs a fifth of a magnitude of precision, and no instrument changes that. The sky and the read noise are fixed counts, so their lines have slope 0.4, twice as steep, and they overtake the star at V = 18.25 — that crossing is the faint limit of the night, and it moves when the Moon rises rather than when the telescope changes. Scintillation is flat, because the atmosphere modulates a bright star and a faint one by the same fraction: at 4.09e-4 relative it is 0.44 millimagnitudes here and it is what caps the bright end, up to about V = 10.8. Below all of them is the systematic floor at 0.3 millimagnitudes, which is flat-fielding and colour terms and does not integrate down at all.

The faint star is measured against a brighter sky

For anything at the edge of detection the dominant source of noise is not the object. It is the sky in the same aperture, which is brighter than the star and is subtracted rather than measured — and once that is true, every rule of thumb about apertures, exposure times and image quality changes.

starlight · Photon noise w = −0.9 is 34 millimagnitudes, and one supernova scatters by 120. Above: how much the distance modulus moves when the dark energy is not a constant. Each curve is a universe with the same Ωₘ = 0.315 and a different equation of state w, drawn as a difference from w = −1 in magnitudes. At redshift a half, w = −0.9 is worth 34 millimagnitudes — the shaded band is the 0.12-magnitude intrinsic scatter of a single standardised type Ia supernova, and the signal is a fifth of it. Nothing about one object can see this; the measurement is the mean of 1500, whose error on the mean is 3.1 millimagnitudes, and even that only works because the shape of the curve in redshift is different from every systematic anybody has thought of. Below: why the supernovae are not enough on their own. Each locus is the set of (Ωₘ, w) that a measurement cannot tell apart from the fiducial model — computed, not sketched: the supernova curve is the ridge of the same sum of squares a fit would minimise over 0.02–1 in redshift, and the acoustic-scale curve is the exact set of models with the same comoving distance to last scattering, which is what fixes the angle the microwave background's first peak subtends. They cross at 36 degrees. Neither is a measurement of w and the pair is, which is why the constraint on the equation of state is a picture of two loci crossing rather than a number read off a curve — and why −1.03 ± 0.03 is a statement about how well they cross rather than about how well anything was measured.

The number that would say whether it is a constant

Whether dark energy is a cosmological constant is the question of whether w is exactly −1, and w = −0.9 changes a distance modulus by thirty-four millimagnitudes at redshift a half — a fifth of the scatter of a single supernova, along a degeneracy only the acoustic scale can cut across.

cosmology · Dark energy

Named alongside it

The objects these essays reach for when they reach for this one.

Aperture photometryPhoton noiseRead noiseSky backgroundAcoustic scaleAirglowBackground limitedCosmological constantDark energy densityDeceleration parameterDegeneracy directionDifferential photometry

All concepts