The error bar that comes from counting
Assumes Magnitudes and Photometric systems.
Every quantity in astronomy that is not an angle or a time is, at bottom, a count of photons. That is a stronger statement than it sounds. It means that the precision of a brightness measurement is decided before the telescope is designed, before the detector is chosen and before the night begins: a source that delivers photons can be measured to and no better, however clever the passband it is measured through, and everything an instrument builder can do is arrange to lose as few of them as possible.
The consequences are a set of straight lines with exact slopes, a crossing point that moves with the phase of the Moon, and a floor that has nothing to do with photons at all.
Where the two slopes come from
The variance in an aperture photometry measurement is a sum, and the sum is short:
with the star’s detected photons, the sky’s over the same aperture, the read noise per pixel and the dark current. The first two terms are Poisson — a count’s variance is the count — and the third is the detector’s own contribution, independent of anything on the sky.
A magnitude error is that divided by the signal and scaled: , where is the number of magnitudes in an -fold. Then:
- while the star dominates, , so : slope 0.2;
- once a fixed background dominates, is constant, so : slope 0.4.
Neither exponent is fitted or approximate. They come from Pogson’s definition of the magnitude scale meeting the fact that a count’s variance is the count, and any measured photometric error curve that does not show them is showing something else.
The faint limit belongs to the night
The crossing point in the opening figure — where the sky’s noise overtakes the star’s — is what an observer means by the limiting magnitude, and it is worth being clear about what it depends on.
It moves with the sky brightness, which varies by three magnitudes per square arcsecond between a dark site at new moon and the same site at full moon. Three magnitudes of sky is a factor of four in the noise from it, which moves the crossing by about 1.5 magnitudes.
It moves with the aperture used for the photometry, since the sky contribution scales with the area of the aperture and the star’s does not. Halving the aperture radius quarters the sky counts and loses perhaps 20% of the star’s, which is why optimal photometry weights the pixels by the point-spread function rather than summing them equally.
And it moves with the seeing, for the same reason — a night with 1″ images allows a smaller aperture than one with 3″ images, and therefore a fainter limit, on the same telescope with the same sky.
What it does not do is move much with the telescope. A larger aperture collects more from the star and more from the sky in the same proportion, so in the sky-limited regime the gain is only rather than . A telescope four times the area reaches 0.75 magnitudes fainter, not 1.5.
That last point is the one most often got wrong, and it has a corollary worth stating. Because the sky-limited gain goes as while the cost of a telescope goes as something between and , the marginal magnitude bought by aperture is the most expensive thing in observational astronomy — and the marginal magnitude bought by a darker sky, a better detector or a sharper night is nearly free by comparison. The history of the subject since 1980 is largely a history of taking the cheap magnitudes first.
The floor that is not photons
At the bright end all the counting terms become negligible, and the honest expectation is that a bright star can be measured arbitrarily well by exposing longer. It cannot, and the reason is the atmosphere.
Scintillation is the twinkling: refractive-index variations high in the atmosphere focus and defocus the beam, so the flux arriving at the aperture varies by a fraction that has nothing to do with how bright the source is. Young’s approximation gives it as
with the aperture in centimetres, the airmass and the site altitude, and for a one-metre telescope at airmass 1.2 in a sixty-second exposure that is about 0.45 millimagnitudes.
Three things in that expression are worth reading. The says a bigger telescope helps, but weakly — a hundred times the area buys a factor of 4.6. The says airmass matters enormously, which is why photometric campaigns are scheduled around the meridian, and why refraction and airmass are not merely a pointing correction. And the says it does average down, so scintillation is not a floor in the strict sense.
What was actually measured
The best evidence that the floor is real is the gap between what is achieved from the ground and what is achieved above it.
The best ground-based differential photometry, on bright stars with well-matched comparisons, reaches about 0.3 millimagnitudes per point and is limited by second-order extinction and flat-fielding rather than by counting. Kepler, in a 30-minute integration on a 12th-magnitude star, achieved 20 parts per million — 0.02 millimagnitudes — which is a factor of fifteen better, on a telescope of 0.95 m against ground-based apertures of similar size or larger.
The difference is not photons and it is not aperture. It is that a space telescope has no atmosphere to scintillate, no airmass term, no variable extinction, and a thermal environment stable enough that the flat field does not move. What a transit survey buys by leaving the ground is the elimination of the flat part of the curve above, and that is what makes an Earth-sized planet detectable at all — which is why the occurrence rate of small planets is a number that could only be measured from space.
The other place counting sets the limit
Photometry is not the only measurement built on a count. A radial velocity is too, and the arithmetic there is the same with an extra step.
A spectrograph spreads the same photons over thousands of resolution elements, so each has few; the velocity precision is set by how well the position of a line can be measured, and that goes as the line’s width divided by the signal-to-noise per element, summed over all the lines. The result is again , and again there is a floor — set here by the stability of the instrument and by the star’s own surface, whose convective motions shift line centroids by metres per second in ways no calibration removes.
How many photons is that, exactly
It helps to put a number on the abstraction, and the number is startling in both directions.
A star of magnitude zero delivers about photons per second per square metre through the V band — a figure obtainable two ways, from the AB zero point of 3,631 janskys and from the Johnson flux density in ergs, which agree to a few per cent and are checked against each other in the figures above. Through a one-metre telescope with a realistic 30% end-to-end throughput, that is detected photons a second.
Scale it down. At the same telescope collects 2,100 photons a second, so a sixty-second exposure has 126,000 of them and a photon-limited precision of 3 millimagnitudes. At — the depth of a deep survey image — it collects 0.2 photons a second, and an hour’s exposure yields 760 photons, which is a 4% measurement.
Seven hundred and sixty photons is the entire observational basis for a galaxy at that magnitude, and that is what the phrase “faint object astronomy” means arithmetically. A single detected photon at through a one-metre telescope represents an event that happened, on average, five seconds ago at the aperture and some billions of years ago at the source.
Where the model stops
The budget above assumes several things that a real night violates.
It assumes the noise is Gaussian and independent between exposures, which it is not: cosmic rays, satellite trails and cosmic-ray-like detector events give a tail that no describes, and correlated red noise from slowly varying transparency is the reason transit surveys quote a “red noise” term separately.
It assumes the sky is uniform across the aperture. Near a bright star, near the Moon, or in a crowded field, it is not, and the sky estimate becomes the dominant error rather than the sky counts.
It assumes the zero point is known. It is not measured on the same exposure as the star, and a catalogue magnitude is an extrapolation off the end of a graph — the airmass extrapolation to zero, which has its own error and its own colour dependence.
Three regimes lie outside the budget above, and in each of them a different term takes over.
The same budget read for two very different instruments shows which of the regimes each of them lives in, and the answer is not the one aperture alone would suggest.
The sky that is made of sources
The budget treats the sky as a smooth background with Poisson noise, and at faint limits that is wrong in a way that sets a floor no exposure removes.
The sky is not smooth. A large fraction of it is the summed light of galaxies too faint to detect individually, and those galaxies are distributed in a pattern that does not average away. Within any resolution element the number of faint sources fluctuates, so the background varies from place to place by more than its own Poisson noise.
That is confusion noise, and its magnitude depends on the beam size and on the counts of sources fainter than the detection limit. It is negligible in an optical image with sub-arcsecond resolution, because a resolution element contains a small fraction of a faint galaxy on average. It is dominant in the far infrared and in the radio, where the beam is tens of arcseconds and each one contains many.
The consequence is a hard limit. Integrating longer reduces the photon noise and does not touch the confusion, so a survey reaches the confusion limit and stops improving — and the only escape is a smaller beam, which means a larger telescope or an interferometer.
Several of the major far-infrared surveys were confusion-limited within hours of starting, and the majority of their observing time bought sky coverage rather than depth, because depth was unavailable at any price.
There is a statistical technique that extracts information below the limit, and it is worth naming because it inverts the usual approach. Instead of detecting sources, it measures the distribution of pixel values — the fluctuations themselves — and fits the source counts that would produce that distribution. What comes out is a number of sources per unit flux, below the detection limit, without any individual source having been detected.
A noise term that cannot be removed can still be measured, and where the noise is made of the objects being surveyed, measuring it is a survey.
The other end, where there are too many photons
Everything above concerns the faint limit. The bright end has its own difficulties and they are not the same ones reversed.
A detector holds a finite charge per pixel, and beyond it the pixel saturates: additional photons produce no additional signal, and on many devices the excess charge spills into neighbouring pixels along a column. A saturated star is not merely badly measured, it is corrupting its neighbours.
Below saturation there is non-linearity. A well that is nearly full responds less than proportionally to further light, by a per cent or more in the top part of the range, so bright stars are systematically under-measured unless the response is calibrated and inverted.
And the shutter has a finite travel time. A very short exposure, needed to avoid saturating a bright star, gives a different effective exposure time at the centre of the field than at the edge — the shutter is still opening at one end while it has finished at the other — which puts a spatial gradient into the photometry that varies inversely with the requested exposure.
The consequence is a dynamic range problem. An image cannot simultaneously measure a fourth-magnitude star and a twentieth-magnitude one, twelve magnitudes apart, because no exposure serves both. Surveys therefore take a short exposure and a long one of every field, and the two are joined by stars in the middle of the range that appear unsaturated in one and well measured in the other.
The brightest stars in the sky are among the worst-measured, and the catalogues of naked-eye stars are still based, for the very brightest, on visual and photographic work rather than on modern detectors.
When the counts are too few to be Gaussian
The budget assumes a Poisson distribution can be treated as a Gaussian of the same variance, which is excellent above a few tens of counts and false below it. In several branches of astronomy the counts are single digits.
An X-ray observation of a faint source may collect five photons in a hundred kiloseconds. A gamma-ray observation may collect none at all and report a limit. In that regime a chi-squared statistic — which is derived from a Gaussian likelihood — is not merely imprecise; it is biased, because it weights the bins by their observed counts and a bin that happened to be low is given more weight than one that happened to be high.
The remedy is to use the Poisson likelihood directly, which for fitting purposes goes by the name of the Cash statistic. It has the same asymptotic behaviour as chi-squared at high counts and the right behaviour at low ones, and it handles empty bins, which chi-squared cannot because their variance is zero.
The difference is not academic. Fitting a spectrum with chi-squared in the low-count regime returns systematically low fluxes, and the bias grows as the counts fall — which is exactly where the faintest and most interesting sources are.
There is a further consequence for what a detection means. With a handful of counts, the significance of a source is not a number of standard deviations, because the distribution is not symmetric and has no meaningful standard deviation. It is a probability of the background alone producing that many counts, and the two ways of quoting it can differ by a great deal.
The arithmetic in this essay is a large-number approximation, and the branches of astronomy that work with the fewest photons are the ones that had to abandon it.
And what those photons buy in the one currency a survey cares about, which is how faint a planet it can see.
Where this ladder goes next
This rung establishes the budget and its exponents. The rungs above it are about what is done when the floor is reached.
The first is differential photometry as a technique rather than a remedy: measuring a target against comparison stars in the same field, on the same pixels, through the same air, so that everything common cancels. It is why a transit survey stares at one field rather than scanning, and it converts an absolute measurement problem into a relative one — with its own new failure mode, which is that the comparison stars vary too.
Beyond it lies the question of what the floor is made of, which is now the active problem in the field: the granulation and oscillations of the star itself set a limit on radial-velocity precision at about half a metre per second, and on photometric precision at tens of parts per million, and neither is instrumental. The noise that stops the next generation of measurements is the target’s own surface, and separating a planet’s signal from a star’s own restlessness is the work that decides whether an Earth around a Sun is detectable at all.
What this makes readable
Essays that name this one as a prerequisite.
- A period found in the gaps starlight
- A response measured pixel by pixel starlight
- The direction a photon count throws away starlight
- The faint star is measured against a brighter sky starlight
- The tallest peak in nothing at all starlight
- The best aperture throws away a tenth starlight
- A fuel gauge that is worst when it is needed spaceflight
- The comparison stars are part of the measurement starlight
What links here
The 8 of 21 essays linking to this one that name the most of the same objects.
- The best aperture throws away a tenth starlight
- The faint star is measured against a brighter sky starlight
- The comparison stars are part of the measurement starlight
- The same star through two telescopes starlight
- The threshold that is not a threshold exoplanets
- A duration that measures an eccentricity exoplanets
- A fuel gauge that is worst when it is needed spaceflight
- A histogram that says the box was not closed galaxies
The objects this essay names
Each one links to every other essay that touches it.
Aperture photometryDifferential photometryFaint limitPhoton noiseRead noiseScintillationSignal-to-noiseSky backgroundSystematic floorZero point